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published on 2018-07-14 21:00:08

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published on 2018-05-25 07:18:07

published on 2018-05-25 07:18:07

published by Eugenia on 2018-05-11 01:22:10 in the "Metaphysics" category
Eugenia Loli-Queru

Whoever believes that rubbish about the Annunaki being real, wanting gold for their spaceships, and enslaving humans, is an idiot who watches too much Ancient Aliens on TV, or Youtube.

First of all, if an alien race wanted gold, they could find it elsewhere in the cosmos. There are probably a gazillion asteroids and planets closer to their home-planet that could contain gold or other such elements. It would be easier and more cost-effective to create machines that mine these for you close to home, rather than traverse half a galaxy away, find and hybridize humans to use them as miners. Do you think they need Earth for any of that? Heck, these days, we can even mine water from the moon. The moon, people!

That does not mean that aliens haven’t been on Earth, or that some of the gods the ancient people worshiped might not have a basis on them being real entities. I believe that it’s more than possible. But that doesn’t mean that all these stories going around about bloodlines, gold, mining etc are true. It’s just fiction, because it makes no logical sense.

If a planet has life, there is only ONE thing you’re interested in that planet: its consciousness. You don’t care about its water, its rocks, or its metals. ALL that, you can find on asteroids on your own planetary backyard. But what you can’t find as easily, is life itself. And life, CAN BE used as energy source by a highly advanced race.

If they, or anyone else, were here to “mine” something, that would be consciousness, nothing else. We have nothing else of rare value on this planet. So, before you open your mouth again about that bullshit, about gold that power spaceships, think twice. Use common fucking sense. The only idiots who want gold, are the humans. Not the aliens.


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published on 2018-05-07 22:09:07

published on 2018-05-03 05:00:06

published by Eugenia on 2018-04-24 22:17:14 in the "Filmmaking" category
Eugenia Loli-Queru

Here’s the absolute cheapest way to shoot a feature film, in a way that doesn’t suck. You will need a minimum of three people as crew: the director, cinematographer, and the sound guy. Work on the set would have to be divided between them, e.g. when the director and cinematographer might be blocking a scene, or… moving couches around, the sound guy can also do backups or charge the various devices used. Basically, few people will have to do the work of many. The actors can do hair & makeup amongst themselves. Don’t worry, they’ll manage. ?

Camera

1. Canon EOS M, $170 on eBay, used. Shoots in manual mode, in 1080/24p at 45mbps (make sure you underexpose by 1/2 stop outdoors, its metering is not accurate).

2. 7artisans 25mm f/1.8 Lens, manual focus lens. You can shoot the whole movie with that lens.

3. 46mm-52mm Step-up Adapter Ring, $6

4. Variable fader ND 52mm filter. Almost always to be used outdoors during the day.

5. 52mm IR CUT filter. This is not the same as an IR filter btw. This is to be used only when you use the ND filter at its high strength. Without it, color reproduction gets thrown off.

6. 52mm Wide Angle adapter. To be used to convert the 25mm lens to about 20mm, since there are no cheap solutions for wide angles lenses for the APS-C sized sensors.

7. TWO SanDisk 64GB Ultra SDXC UHS-I Memory Cards.

8. 2 batteries and charger for the camera.

9. Video tripod with smooth head.

10. Shoulder rig, for on-the-go shots (video showcasing it, read the comment about additional bolts).

11. 52mm lens cap, to protect the lens and filters.

12. 52mm Sun shade for outdoor shots.

13. Grey card, to set white balance, particularly indoors.

14. Clapper board, helps with syncing audio in post, and to organize which shot is which.

15. Field Monitor, this one is lower resolution, but it comes with a battery and charger, and sun shade for $127. The Canon M’s HDMI output is 720p anyway, so you’re good with this one.

16. HDMI mini cable to connect the field monitor to the camera.

17. Picture Style: Either buy and install the C-Log3, or if you want a more “baked” cinematic look, as film would be, buy and install the VisionColor CineTech (settings: 2, -4, -2, +1).

Lights

18. Light meter, to make sure shots match.

16. 3-Point lighting kit

17. Reflector, also to be used outdoors.

Sound

18. Digital recorder with Line-In. Record in WAV and set your meters to between -8 and -12.

19. SGC-598 Shotgun mic, with phantom power.

20. Deadcat, for outdoor shots.

21. Headphones for monitoring.

22. Monopod to be used as a boom mic (it’s cheaper than an actual boom pole).

23. 10-20 ft audio cable.

24. Cold shoe adapter, to mount the mic on the monopod.

25. [Optional] Swivel extension, which lets you turn the mic at different directions on the monopod.

Backup

26. TWO USB drives from a reputable manufacturer. After each session, you save the recorded files in each of these, so you have two backups. Don’t skimp on backups. You’ll regret it.

Editing

Free versions of DaVinci Resolve for editing, Fusion for any needed compositing, Blender for 3D, Audacity for audio editing, The Gimp for stills editing. The free version of Resolve doesn’t have noise reduction, but by using the Lum Vs Sat color grading panel, you can make it less visible (it makes it look like film grain instead of digital noise).

Other (prices not included in this estimation)

Extra batteries, gaffer tape, USB charger, laptop, music licensing, sound effects, legal, insurance, coffee.


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